The
Foul Rag and Bone Shop of the Heart
Julie Cockburn
5th May - 29th May 2011
Julie Cockburn’s mixed media works transform idealised models of their
time, carefully obliterating them with collaged or stitched bindings.
As if highlighting something invisible in the original text, Cockburn
reveals a drama of the everyman through a manipulation of found photographic
and painted portraits. Retrieving characters from obscurity, Cockburn
takes ownership of their fates, cherishing them and creating something
monstrously exquisite.
Traditionally portraiture was used to convey the status of the depicted:
their role, their beauty, their assets, their power, how we wish others
to see and think of us. However Cockburn denies the viewer the ability
to connect with the subjects in this way. The people that are scarred
and scored into are riddles of identity. The works are meticulous, carefully
sourced and appropriated. Playing with contrasts between mass-produced
and hand crafted, perfection and deformity, Cockburn’s pieces project
a macabre quiet, fragile, fragmented and very human.
Cockburn’s influences include the traditions of Cubist painting and the
craft techniques of inlay and embroidery. “The Adulterer” a fragmented
face of an upstanding gentleman, uses geometric patterning to describe
a fractured pride or multi-faceted psyche. “Buttercup Girl” is a bittersweet
assemblage of a young woman whose gaze is destined to meet us/the world
through an airtight, acrid yellow. “Mary”, an embroidered tattoo work,
combines melancholy and strength, the sitter’s thoughtful pose is highlighted
by carefully chosen embroidery threads that trace the contours of her
face. In “Caja” the framework of a black embroidered cage is sculpted
onto a photograph of a seemingly carefree woman, subtly inviting the viewer
into a 3-dimensional confinement where we might begin a process of empathy
and insight.
Julie Cockburn was exhibited as part of the Salon Art Prize 2010 and selected
from a shortlist of 65 artists for the Selectors’ prize, supported by
John Jones. Her work is included in the collections of Yale Center for
British Art, The Wellcome Collection, British Land and Goss-Michael Foundation
as well as numerous private collections.
To download a copy of the exhibition catalogue click
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